Showing posts with label iTunes. Show all posts
Showing posts with label iTunes. Show all posts

Wednesday, September 9, 2009

Ode to Muse, Similar Tastes, and General Essence


If you can't wait till September the 14th to get your Muse fix, go here and check out the sound of their new out-of-this-world album, The Resistance. It's so beautiful, it will rob you of your senses for a bit. Trust me. It is that beautiful!

Lake Como is the place where the incomparable Italian author Alessandro Manzoni washed his words and gave re-birth to Dante's Italian. Lake Como is also the place where Muse recorded its latest album, The Resistance which will be released next Tuesday, the 14th, is a very much anticipated experience for me. Their new track, "Uprising," was already released a couple of days ago on iTunes and if you haven't already gotten it, make sure to do so.
It's a transformative piece.

I can always tell if I'm seeing a band playing instruments they learned how to play in their parents' garage soon after dropping out of college. By the same token, it doesn't take a big music connoisseur to discern real talent on the stage. That's how Matt Bellamy and co. are on stage. The way they handle their respective musical instruments on the stage almost makes you want to weep. To me, the experience of watching them live was exactly like the one I had when seeing a live production of Puccini's Tourandot, which come to think of it also happened around the same time in 2004.
Man, what a year!

I often talk about the year being a game-changer for me. The reason why it was so is mostly due to the art I experienced and the artists I got to meet and intimately know. I firmly believe that when we don't deny ourselves of the kind of art towards which we naturally and experientially gravitate, great things are bound to happen. The reason why this is so, in my view, is that this same art expedites a myriad of other self-empowering things. Art, after all, isn't just about entertainment. It's primarily about didactic experiences.

Enter, Muse.

Muse is not an act you encounter often. As an avid music follower and supporter I cannot think of one single experience that even mildly compares to seeing these musicians practicing their art live on stage. I often talk about experiences that manage to evoke a 'sense of visitation' as Henry James put it. Muse's music does that for me. I'm reminded of a very lovely dinner I had a few weeks ago while visiting in another country. We dined on a balcony facing the inspiring lights of the big metropolis. The music on the background was Muse's album Black Holes and Revelations and, more specifically, the long and shorter versions of the mind-blowing track "Map of the Problematique." There is no better way than music to journal an experience, folks. Not for me, at least. And very few acts have this kind of experience-recording power. Ergo, my interest in the art that Muse creates is fundamentally personal.

This summer I reconnected with a favorite person from my not-so-distant past. One of our high-frequency conversations revolved around Muse, their incomparable sound, and how it encompasses so much. A number of other art signs were discussed at length as we spent tens of hours discussing the importance of the arts and how what we lean towards artistically reveals much about a person's general essence. A few months ago I did a videocast about tastes and why we like the things we like. The core message of this videocast states that we like what we like mostly out of fundamental narcissism. We tend to like that in which we see ourselves and our basic aesthetics reflected.

I often reference my first Muse concert here. It happened in 2004 and, as a result, that whole year was radically morphed into a most unique and transformative time for me. I have always surrounded myself in life with artists. It was, however, during that year that I finally got it cognitively what it meant to be utterly helpless when it came to controlling my own creative impulses. When I am in the presence of art, my true nature can't help but jump out and the sense of yes I tend to feel out of genetics and acquired experience becomes a dominant trait.

It's quite a thing to live during those moments when your general essence is utterly espoused and what expedites such moments is certain art forms. And Muse did this back in 2004. And it does it with their new albums, The Resistance. Their track "Uprising" which can now be purchased on iTunes, has a strength of sound that I have not sensed in a long time. I don't know what Matt Bellamy eats but I sure hope he keeps this same diet for a long time to come. Their music is the stuff of inspiration, it's the stuff that's engendered not only out of true artistic expertise. It's mostly born out of artistic genius. Whoever the muse it to whom they pay tribute, one thing is certain, the momentum of Muse is spectacular.





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Tuesday, April 7, 2009

New Videocast: The Third Gender Model in the Middle Ages

Well, no amount of the cold or flu could be great enough to keep one from recording an episode on the Middle Ages. In this episode, which is now also available on iTunes under the series: De Amore: On Love, I talk about my research on Hildegard von Bingen and her new gender model.

You can see this episode here.





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Friday, March 27, 2009

New Podcast: the Body as Text

I rarely give a 'tip of the hat' to the good half here, so, tip of the hat, good half.

This new episode is a narrative that focuses on a reading of the body as text.

On the last, short trip some attention was given to this piece as it sort of popped up on the playlist, and I find it to be a good addition to the Gendering the Media with Brikena Ribaj series on iTunes. This episode is available on both iTunes and here.

I'm fascinated by how colloquial English refers to body-based and sexuality-informed discourse and this piece, which I originally conceived a year and a half ago, is a 'tip of the hat' to body-based language.

Listen to the piece here.






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Friday, January 9, 2009

New Podcast: Literary/Cinematic Analysis of Voyager, Part II


The new podcast is Part Two of a two-part literary/cinematic analysis. In this piece I compare and contrast the Swiss novel Homo Faber and its cinematic adaptation, Voyager. In this podcast I explore the relationships and relations between the key characters in these two narratives.
To listen to the new piece, click here.

The podcast is also available on iTunes under "Gendering the Media with Brikena Ribaj" along with the other weekly contributions.

Note: I picked this photograph from sartorialist as it oozes the kind of urban feel I get from Schloendorff's Voyager.







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Friday, January 2, 2009

New Podcast: Literary/Cinematic Analysis, Part I



The new podcast is Part One of a two-part literary analysis. In this piece I compare and contrast the Swiss novel Homo Faber and its cinematic adaptation, Voyager. In this analysis I explore the relationships and relations between the key characters.
To listen to the new piece, click here.




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Friday, November 21, 2008

New Podcast: Gendering Kubrick's "Eyes Wide Shut"


I am now doing a series of podcasts on applications of literary theory to image-based media, modern cinematography, and selected TV programming. In this first podcast I am using contemporary gender theory notions as well as Georges Bataille's work Erotism: Death and Sensuality to provide an example of a close reading of Stanley Kubrick's last oeuvre Eyes Wide Shut. The music featured on this podcast comes from the Salt Lake City-based band Calico.
You can subscribe with the link below:




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graph per imdb

Saturday, November 24, 2007

iTunes at Starbucks



I think Apple's ads are generally smart but their blurb on the new Starbucks/iTunes alliance is not selling anything to me.

Here is the official Apple ad:

What’s That song?

'Say you’re in line at Starbucks. You hear this amazing song wafting from the speakers. You gotta have it. Now. Tap the iTunes button on your iPhone or iPod touch, tap the Starbucks button, and voilà: You see the current song, the last 10 songs played, and featured Starbucks Collections. Preview, buy, and download whatever you like, right then and there. Or, if you’re sipping away with your laptop, buy what’s playing — exclusively on iTunes.'

Hm.
Well, if you are a loyal Starbuckian, you know that you can easily get music info without constantly checking the cornucopia of Apple gadgets you might have on you. You could easily spill your Macchiato on them and voilà, you need replacements. It's more convenient to focus only on the extra hot drink while standing. As far as the background music is concerned, well, all you need to do is ask you favorite barista to go in the back and check the player for you.
No need to do everything solo. Rely on the village once in a while. It also likes interaction.



graphs per Apple

Tuesday, November 20, 2007

Ed Burns: First Director to Launch Film on iTunes



About his decision to release his new film “Purple Violets” on iTunes instead of the big silver screen, Ed Burns observes the following:

"You don't need to be sitting in a massive theater to experience two people sitting on a park bench trying to figure their lives out.…A lot of my stuff you could almost listen to it as an audio play, there's so much wall-to-wall dialogue."

Reading the news this morning I was mildly entertained by how Burns’ innovative cinematic and commercial approach to film was discussed by David Sarno of the LA Times.

It’s interesting, I think, how people’s computer and gadget choices seem to reduce them to certain cultural clichés. Hmm. You’re a Mac user, you must be one of ‘those’ people. If nothing else, such speech is entertaining. To me, at least. This is what Sarno wrote when informing us of Ed Burns’ iTune release of “Purple Violets” and Apple’s involvement in distributing it.

“…you can see why Apple liked the film. Its mix of wealthy young lawyers and wealthy young artists, and its unending string of plush cribs, seems well suited to the company's carefully cultivated aesthetic -- you know, artsy and hip, but with a dash of world domination. "Is that the ideal way you'd want someone to watch your film?" said Burns of the new iPod. "No. But does it look pretty" -- uh, darn -- "good?"”

Anyway, be that as it may, I'm looking forward to Ed Burns new project and the small screen of the iPod won't be a spatial adjustment at all. Bigger is not always better.


graph per iTunes

Saturday, September 8, 2007

iPod Touch


Apple's concocted a new toy: the iPod Touch. While it seems to be similar to the iPhone, it sports a feature that those of use who tend toward germophobia have a hard time embracing, i.e., it's touch-reactive. The following video shows how one operates it: http://www.apple.com/ipodtouch/guidedtour/large.html

The one feature I do enjoy, however, is that if one buys music from iTunes, one can also add these titles to one's computer iTunes library. Currently, the iPodRip seems to be the only program, I'm aware of, that allows for the iPod music to get transfered into the computer iTunes library.

Plus, Apple and Starbucks are now working on providing free WiFi connection to the iTunes store. But this feature does not impress me that much, actually.

I don't think I will trade in my current iPod for its flashier brother any time soon. It is, however, nice-looking. And black.


as per Apple