Saturday, July 19, 2008

Narci-what?


A friend of mine trained in Clinical Psychology tends to use phrases like "wiped out frontal lobe" or "boundary-marking" and so on and so forth. Granted, in her rhetoric such terminology makes sense as it is endemic to her field.
However, I have noticed that more often than not certain words seem to be used in a decontextualized fashion. During an episode of Curb Your Enthusiasm in which Larry David dealt with the concept of therapy, I remember my laughter was laced with some measure of anxiety as well. "Oh man, LD is totally right." Often I hear things like, "he/she is projecting" or "I think he/she suffers from a narcissism disorder" and so forth. What's interesting, however, is that such diagnoses are not uttered by professionals like my friend, the clinical psychologists, but rather by those informed in fields other than psychology.
Here is another example.
A friend of mine called me up the other day and, as usual, we had a most interesting repartee. He ended the conversation by saying, "yeah, I won't be calling her any more. I mean, she talks like a therapist. Every time I talk to her I feel like something's the matter with either one of us. I never used to think I was a, uhm, well, a, uhm, disorder."
So, today's feature on the NY Times was of much interest to and mine as it elegantly deals with psychological discourse and erroneous usages in pop culture. Here is a bit:

"We love to label the offensive behavior of others to separate them from us; it’s their problem, not ours. And labels have their periods of vogue (see “chauvinist”).

“Narcissist” is among our current favorites. It has been splashed at bad boyfriends, successful executives, reality show contestants, users of YouTube and Facebook, and, obviously, celebrities.

But while it has acquired a silly elasticity, it has also acquired rich layers of meaning. For though the word has a derogatory stamp, the very people we label narcissistic often are those who attract as well as repel us."
Read more here.
graph per ny times

Wednesday, July 16, 2008

Project Runway V: Thank you!


Since 'Clothing as Text' in a notion of interest to me, it makes good sense that I would pay some attention to Bravo TV's Project Runway. This show is one of the best things contemporary TV has to offer.
It's got all the necessary elements for good TV: dramatic yet talented artists, aesthetically intriguing projects, ah, and Tim Gunn.
The new season starts today and one of the contestants is the owner of Black Market, a new boutique in Columbus, OH I enjoy quite a bit.
It is a nice treat to see the owner of the boutique compete in this show. Her name is Kelli Martin and she is truly talented. Kelli won tonight's challenge by creating a truly textual piece.
Brava, Kelli and a hat tip to Bravo TV for affording some redemption to the concept of reality TV.
graph per bravotv

Quote of the Day from the Colbert Report

This piece of beauty comes from my favorite entertainer Stephen Colbert:

"In a way I like this because I understand everything on the cover."

Songs Have Gotten More Verbose

Hat tip to MR.

Average word count of top-ten songs during the 1960s: 176

Average last year: 436

That is from Harper's Index, August issue. Economy of speech, anyone?

Death Cab for Cutie: 'Drive Well'


I often make references to the music of Death Cab for Cutie and Postal Service. I don't just happen to like their music. I find them uniquely relevant as well.
Hence, I welcomed the opportunity to see Justin Mitchell's Death Cab for Cutie tour documentary Drive Well, Sleep Carefully: On the Road With Death Cab for Cutie. Mitchell followed the band around during their summer 2004 U.S. tour.
The band members provide wonderful commentary regarding their music and their travel experience while touring. Many contemporary pop culture references are made throughout the documentary that, in my opinion, most indie rock fans will find informative and humorous at the same time.
Three things sold the film to me. First, a commentary on their oh-so-gripping song "Tiny Vessesl," second, the impact that the film Mulholland Drive, another favorite of mine, had on band, and third, how comfortably these artists share their vulnerabilities.
So, I recommend this film fully.

Here is a list of the Live Performances in the film:

"The Sound of Settling" - The Crystal Ballroom, Portland
"The New Year" - The Showbox, Seattle
"We Laugh Indoors" - The Marquee Theatre, Tempe
"Styrofoam Plates" - Trees, Dallas
"Title and Registration" - Howlin' Wolf, New Orleans
"Company Calls" - WorkPlay Theater, Birmingham
"Tiny Vessels" - Stubb's, Austin
"Transatlanticism" - Trees, Dallas
"Expo '86" - The Crystal Ballroom, Portland
"We Looked Like Giants" - The Fillmore, San Francisco
"Why You'd Want to Live Here" - The Wiltern, Los Angeles
"Prove My Hypotheses" - The Showbox, Seattle
"Bend To Squares" - The Showbox, Seattle
graph per undertheradar
hat tip to Plexfilm

Saturday, July 12, 2008

Best Paragraph: the iPod Shuffle

Hat tip to CB over at Monitormix for providing the best paragraph I read today. It's on the very relevant notion: the iPod shuffle.


"The drawbacks of the shuffle feature mean more work for the listener -- and iPod shuffle should be about passivity, about letting go. I suppose that's the crux of the problem for me. In the shuffle mode, I spend most of my time hitting fast forward until I find a song I feel like listening to; I can't help but try to carve out a story. I love contrast and the blending of genres, so it's not about disparity. It is, however, about intention. What iPod shuffle lacks is one of the best parts of a great mix -- album sequence, or a justification for why one song follows another."

I am so very glad to know I'm not the only one who feels some measure of anxiety thanks to this 'feature.'
I concur, I concur.

An Impotent iPhone?


As much as I like and support Apple gadgets and notions, the iPhone just ain't cutting it for me.
I remain a BlackBerry user for a number of reasons, the most important one being: they just work.
Let's hope Steve Jobs figures out a way to make the iPhone the little gadget that could....
And the best iPhone sentence I read today would have to be: "For many people on Friday, the iPhone was the iCan’t."
Read more here.
graph per ny times

Thank You, Michael E. DeBakey


People like Michael E. DeBakey are born to be great. The heart doctor, "whose innovative heart and blood vessel operations made him one of the most influential doctors in the United States, died Friday night in Houston, where he lived. He was 99.
One of Dr. DeBakey’s innovations helped preserve his own life in 2006, when he underwent surgery to repair a torn aorta. He had devised the operation 50 years earlier. He spent months making what he called a miraculous recovery and then returned to an active schedule."
Rest in peace, Michael E. DeBakey
Read more here.
graph per ny times

LCD Soundsystem: What True Music Masters Sound Like




One of the beauties of travel is the ability to spend more time with the iPod and iTrip. Well that and actively trying to convert my person to keep the same album on repeat for, uhm, days. But I digress.
While I knew I already liked LCD Soundsystem quite a bit I am glad to report that that degree of liking is much higher now. As a mater of fact, it's the only band I've been listening to for weeks. And if that doesn't say much about the caliber of their art, I don't know what else to say.


LCD Soundsystem is my current favorite band. Music like this can only come from people who are acutely aware of life on a micro level. Their experience can be viewed in slow
motion. And clearly so.
Their last album made most lists as best album of '07 and rightly so.
Those who enjoy the genuinely existential sound of The Strokes and
everything alternative from Franz Ferdinand to Death Cab for Cutie will
find these guys not only superbly informed bur aesthetically solid as
well. A great, great addition to your music library. Tracks like Someone Great, New York I Love You, But You're Bringing Me Down, and Get Innocuous aren't just good, they're incomparably good.
Here they are live:

graph per lineout

Wanted: It Missed the Mark


While I realize that many people enjoyed this film, I am sorry to say, I didn't. I found it an inadequate mimesis of Fight Club and the first Matrix. The latter are brilliant cinematic contributions, the former not so much.
So, just why did we stay at the theater till the end?
Welt, other than to finish the small popcorn which seemed to enigmatically multiply itself, it was to see the oh-so-little-used German actor Thomas Kretschmann in action. And Jolie. And the talented but bearably awkward James McAvoy.

Wanted
is directed by Timur Bekmambetov and other than a great car chase scene in the beginning it's not really worth much. Sorry to say I didn't like. But if you find humor in kitsch plot summaries, supposedly based on the Middle Ages, it might just be something to do when it's much too hot outside.
graph per wikipedia