Sunday, February 28, 2010

Reciprocity, Sociality, and Lady Antebellum?


I was recently reading an article on the NY Times which discussed a new David Mamet play called Race. Something I tend to do and of which I'm not always aware is tracing the origin of my interests. For example, I know when I started to get into the habit of tracing word etymologies, when and where I first met the most significant people in my life, when I started to think that Modest Mouse in a way brought indie rock to the forefront, where I was when I 'got' what it meant to want to be surrounded by artists who produce my kind of art and aesthetics, why I always insist on playing Muse's "Map of the Problematique" when I'm on road trips, how eyeliners manage to somehow bring a level of sophistication to one's aesthetic presentation, and so forth.

The other day I was doing my laps at the pool and I had a song by Lady Antebellum stuck in my head. I've long gotten accustomed to the fact that I tend to have a song/melody in my head at any given point in time. Instead of trying to make sense of the origin of these audio habit, I've learned to accept them as they are. Currently, audio habits change monthly it seems like. As I was swimming, I got some water in my mouth which is something that vexes me terribly. However, what truly proved to be vexing this time was the fact that I got water in my mouth while doing a back stroke.

As I was about to reach the end of the pool, I started to do what I tend to do while on dry land: whistle. That mannerism doesn't quite translate well in the water, however. Since I do most of my better thinking while moving i.e., "agito ergo sum," I figured I could try to understand why I was whistling to a track by Lady Antebellum called Need You Now.

Lady Antebellum are a new 'country' band. I don't do country music. As it can be clearly gleaned from this blog of mine I have other kinds of favorites. We're all entitled to favorites, after all. Ergo, I wondered why I was wanting to whistle to the music of Lady Antebellum. One thing I know about my likes/dislikes is that I can logically explain why they are a like/dislike. I am of the opinion that what we like reveals much about who we are. Ergo, likes/dislikes are never inconsequential. Not to me, at least.

So, why whistle to their tune? Well, I think I know why I wanted to whistle their tune. As much as they self-define as 'country' they're mostly rock. As a matter of fact, what I truly like about the track is the guitar solo around minute 2'50. And as it is the case with many other things, aesthetics plays a major role here as well. I like Charles Kelly's style and text of presentation. Still, this is not the kind of music I am inclined to react to positively as I don't give it much attention in my daily routine.

Some things of transient value need to be in the forefront too. Ever so briefly, though. Its kind of like my interest in skinny jeans. They're a good addition to the wardrobe. To a small degree and in moderation, however. Use them with more frequency and they will manage to do nothing more than bring a level of banality to one's closet. This is a textile truth I am true to, at this point. As I was completing my laps I kept thinking of some of my other high-frequency interests and at that point I found myself thinking about the many long discussions I regularly have with one of my closest pals.

More specifically, he called me up the other day to ask me specifically if I've ever had a desire to 'imitate' any of the interests of the people closest to me. I thought of the current high-frequency interests and most of them stem from similar sources and experiences. Rarely, however, do they stem from people. From a person or two, of course, but they mostly originate from shared experiences with those who share my basic aesthetic tendencies.

A, for the most part, egalitarian social connection is one that is built on reciprocity. It is not enough to be around those who 'get' your frames of references. It is rather more important and self-supporting to rely on the influences of those few who not only read and 'get' your references well but who also contribute new things worthy of your pursuit.

I think of my significant ones who 'get' these same references or, more importantly and specifically to this post, who I did these things with first, and my friend's question is answered fully. Some desires and interests have the longevity of a high-frequency country song a-la-rock. It's fine for a day or two but at the end of the time frame, you know you can only get your true protein from the interests that stand the test of time. And a good test of solid and healthy sociality is one that relates to longevity. Some interests reside in the territory of appetizers, ahem, Lady Antebellum, and others actually give you protein. And as most things of true value, they reside in the safe space of one's private space.





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graph per google images

Tuesday, February 23, 2010

How to Make It in America: A Review

HBO has a new show called How to Make It America (HtMIA). HtMIA is a type of show that expects the viewer to know what the hustle and bustle of busy city life is like. On top of it being nicely informed by the unapologetically fast pace of big city life and New York City, the show has managed to capture adequately the angst and anxiety of modernity and what it means for creatively minded folk to succeed commercially and en masse.

The main reason why I decided to view this show was because of the talented but underrated Bryan Greenberg. Greenberg has the kind of mannerisms and look that I equate with a city connoisseur. He does very well in supporting roles and he seems to have been paying his dues for quite some time. I hope his efforts as a leading actor in this series are recognized as he seems to be a good representation of the creatively talented but commercially uncompensated.

One of the best moments from this show comes from Episode Two when Ben's character is trying to explain what his new denim line will be like and what it will represent. He wants his line to stand for a retro time that captures early hip-hop and punk rock a-la-70's. When Ben's character tries to capture a pop cultural period by way of a pair of jeans, I thought this was a show I had to pay attention to as I tend to think that aesthetics is never really inconsequential. Watch out Entourage! You might just have some competition now.

HtMIT celebrates not only creativity and individuality but also bonds of friendships and long-term social commitments as seen in the close and awfully candid bond connection between Ben and his childhood friend Cam. Cam is aware of his friend's talent and his genuine desire to see him succeed is nothing if not inspiring. Cam's character (played convincingly by Victor Rasuk) reminds me of an old noble medieval knight's mindset housed in the body of a skateboarder dressed in Volcom. I suppose this would be another reason to not be bored by this new series. In sum, I recommend this show. It's 20-odd minutes of modern urban references and aesthetics.

How to Make It in America:







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Sunday, February 21, 2010

Nuit Blanche: Brilliant

I was happy to learn about this short film by Arev Manoukian. Economy of speech and a wealth of visual poetry all rolled into one. Nuit Blanche translates human connectivity most impressively on the screen.


Nuit Blanche from Spy Films on Vimeo.







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Saturday, February 20, 2010

Shaun White # 1

As a snowboarding fan I can say unequivocally that there is nobody out there who snowboards better and more impressively than Animal, formerly known as the Flying Tomato i.e., Shaun White. Shaun did the Double McTwist 1260 at the Vancouver Olympics again and, as a result, got the gold. I love seeing him do his tricks on the half pipe. And how about the Double Mctwist 1260 in this clip? One word: Yowsah!!







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New Music: Pomplamoose

Tip of the hat to Liam for the pointer. They're called Pomplamoose. Great style. Cute sound. I like.









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High/Low Brow

Tip of the hat to Penelope Trunk over at Brazen Careerist (one of my current favorites) for producing the most gripping mini paragraph of the day.

"I am obsessed with the meshing of lowbrow and highbrow. I’m convinced that if you understand high brow well, then you are also a great judge of low brow, and you can get even more pleasure out of that."

More here.





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Tuesday, February 16, 2010

Oh Yes Ohno

One of the things I love about sports is the feeling of discipline and the desire to self-improve that they may engrain in people. And, to me, one particular athlete who epitomizes excellent form and incredible Olympic discipline is Apolo Anton Ohno. I've seen Ohno compete live and the experience of watching him whiz on the ice at 40 MpH speeds is simply beautiful. I have seen a lot of competitions so far but Apolo still remains at the very top of the list. When I first saw him compete in the 2002 SLC Olympics, I remember thinking to myself that he was going to be competing for a long time to come. Fast forward to now and Ohno has just landed another medal at his third Olympics. To get a glimpse into Apolo's training routine, take a look at this. One more reason to tip the hat to this amazing olympian.







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Monday, February 8, 2010

What if Filmmakers Directed the Super Bowl?

Yes. This, I like. It takes filmmakers to make me slightly interested in the Super Bowl. Not in the game, mind you, I still side with soccer but in the social 'text' of football.







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Great Ad: Leno v. Letterman with Oprah on the Couch

I don't care for commercials but this is quite smartly done.








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Sunday, February 7, 2010

Tom Ford's A Single Man: A Review










Tom Ford's film A Single Man impressed me. This is the fashion expert's directorial debut and he does indeed deliver. Ford not only directed the picture but he also adapted Michael Isherwood's book and co-wrote the screenplay. It appears that this hands-on approach to film-making worked for him. The visual poetry was something sharp you'd expect out of a Ridley Scott or a Fellini a-la 8 1/5. A Single Man is a beautiful and beautifully filmed film. Actually, it is so good and succinct that it's bound to confuse the senses. Seeing it only once might not be enough to process it fully as it has a bit of a Totalkunstwerk feel.

I've thought for a while now that what makes Tom Ford fascinating to me is not his ability to be privy to people's fashion tendencies, and most importantly, their purchase inclinations, but rather how well he translates and adapts straight lines to the human form. Ford gets human form. More specifically, he gets the masculine form. An underwater Firth, for instance, might just make one think of Michaelangelo's David. I cannot think of more poetic clothing than Ford's beautifully and minimalistically cut slim pants and fitted white shirts. And Colin Firth proves to be a good model for Ford's fitted suits, body-fitting white shirts, and black Oxfords. As a matter of fact, Colin Firth's character of George is very much reminiscent of a black-and-white wearing Marcello Mastroiani in Fellini's 8 1/5. Even their spectacles match almost perfectly. I was much amused by the overall aesthetic similarity, as a matter of fact. But then again, it's only natural that Ford would tip the hat to Fellini a bit after having worked in Italy for a while.

In this film Ford creates an arena for the treatment of social minorities in the Los Angeles of the 1960's. He manages to translate the climate of subversive homophobia and the pre-Civil Rights movement almost too effortlessly. He manages to say much for economizing on speech and splurging on gazing and body language. Another plus of the film is the cast. Matthew Goode, who has made some good cinematic decisions in his career, plays the character of confident Jim who lives life on his own terms not because he can necessarily but because he chooses to. Another most suitable supplement to this film is Julianne Moore's character of Charlie whose sort-of-marginal aesthetics situate her well as a kind of visual minority in the film.

Ford's managed to capture Colin Firth's heteronormative sex appeal and apply to a wider all-gendered context. Colin Firth in a white shirt is as appealing in A Single Man as he is in the pond-swimming scene in BBC's Pride and Prejudice. And herein lies the director's actual cachet. He gets visual appeal and he most certainly gets perception. It is no coincidence, after all, that Ford headed successfully Gucci and Yves Saint Laurent for a long time. I liked this film very well. I was expecting to be distracted and instead I found we had enough talking points for dinner. And that's always a plus on a Friday night.









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graph per google image





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