Thursday, December 4, 2008

How Music Outs You


Suzanne Vega has a new post about music and how performative the seemingly passive act of listening is.
Vega points out:
"I remember walking down the street one day, wearing a Smiths t-shirt, back in the mid-’80s. I was headed for the subway station, and I had to pass through a crowd of black teenagers to get there. There were maybe eight or so young men, looking me up and down as I picked my way through them. My neck prickled with worry. What would they say? Would they call me a goofy white girl, or worse?

One of them snickered. My stomach dropped. Then another one sang out, “I am human and I need to be loved!! Just like everybody else does!!” Morrissey’s transcendental lyrics from “How Soon Is Now?” It was so unexpected that I burst out laughing. They knew the song! Then we all laughed, and the tension was broken. Maybe we were the same tribe after all."

It's a brilliant piece. Read it here.
graph via wiki: morrissey




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Michael Chabon: Always Relevant


I enjoy dealing with Michael Chabon's work. To quote Henry James, one gets a sense of visitation when in the company of his multi-layered stories and beautifully foible characters.
Many of you who know me personally and professionally know that of my penchant for Chabon's Wonder Boys.
However, another work of Chabon's I unequivocally love is his first novel, The Mysteries of Pittsburgh.
I was asked today to recommend another Chabon title, in addition to his Wonder Boys. I suggested The Mysteries of Pittsburgh. Pittsburgh is sort of like an Ur in Chabon's body of work. It designates the beginning of his literary career. He wrote it while in graduate school and it contains the charm of the quotidian anxieties of a congenitally anxious character. Here are a few excerpts from the book itself. The proof of the pudding is in ....
From Chapter One

"My first thirteen years, years of ecstatic, uncomfortable, and speechless curiosity, followed by six months of disaster and disappointment, convinced me somehow that every new friend came equipped with a terrific secret, which one day, deliberately, he would reveal: I need only maintain a discreet, adoring, and fearful silence."

From Chapter Two
"All at once I liked him, his firm grace with others, his unlikely modesty, the exotic parties he attended. The desire to befriend him came over me suddenly and certainly, and, as I debated and decided not to shake his hand again, I thought how suddenness and certainty had attended all my childhood friendships, until that long, miserable moment of puberty during which I'd been afraid to befriend boys and unable to befriend girls."

From Chapter Three
""What does your father do?" said Jane.
He manipulates Swiss bank accounts with money that comes from numbers, whores, protection, loan sharks, and cigarette smuggling.
"He's in finance," I said."
graph per google images

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Ouch, Spiegel, Very Ouch


Well, I disagree with the Spiegel film review of Woody Allen's Vicky Cristina Barcelona. At the same time, the generous amount of sun we were exposed to during the summer, which is when we had a chance to watch Woody Allen's latest composite of therapy sessions, might have contributed to my mostly positive review of the film.
And since HetPer has a good number of German-speaking, -reading, and -understanding readers, I figured I would include the following sentence in the original. You may read the rest of the review here.
Am Ende wirkt "Vicky Cristina Barcelona" banal und nicht zu Ende gedacht, so orientierungslos wie seine beiden Heldinnen, die irgendwann nur noch dastehen wie Idiotinnen, deren Niederlagen der Film fast höhnisch zu feiern scheint.




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