Monday, February 2, 2009

HBO's Big Love: Stanley Fish Reviews


HBO's Big Love is perhaps the queerest show on TV now. The very premise of the show relies on the concept of the margin, actually margins. This show works because underneath its featured confusing relationships it is about one fundamentally relevant concept: human relatability.

The new season started three weeks ago and thanks to OnDemand features I am now updated. The current season is offering new, (even better than before) drama, a contextualized rendering of the polygamy news that resided on the front pages of many US papers this past year, and yes, a new love interest and potential fourth wife, Ana.

Like Stanley Fish, I approve of Big Love. While on the surface it might be about a concept that many find too bizarre to decode, the core of the show is literarily sound, socio-culturally informed, and religiously aware. Big Love attempts to expose the normal (as Nicki calls it) side of polygamy, the side that explores the humanity of a familial system unknown to many of us.

My more detailed, gender theory-informed review of Big Love will appear on an upcoming podcast after my review of Fight of the Conchords. Since both the shows lend themselves to being gendered, it made sense that I develop two podcasts on them. Stay tuned.

For now, here's a solid paragraph from today's post by Stanley Fish. He writes:

"Near the end of the first episode of “Big Love”’s new season, Nicki (Chloe Sevigny), the second of Bill Henrickson’s three wives, stands up on the roof of her house in the middle of a block party. She’s been repairing the roof rather than joining the festivities because she feels unwanted in the neighborhood. But when a couple of the neighbor kids make off with her ladder, she can’t take it anymore and she rises up to say her piece: “All I ever wanted was to be off the compound and live a normal life and be truly free.”

This is an amazing statement. By “normal life” Nicki means a life in a mini-compound (three houses opening up on one backyard) with her husband, her two sister-wives and the eight children Bill has sired. The compound she has fled is led by her patriarch-father, Roman Grant (the great Harry Dean Stanton) and by other male elders who enforce strict obedience to rules they flout and who demand servile fidelity to their every word. (You must be “in harmony with me” is the byword.) "

Read it all here.





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Susan Sontag: A Profile


I highly recommend this Times profile on the brilliant Susan Sontag.

"Then Sontag marries. The sequence of events is breathtakingly abrupt. She moves to attend the University of Chicago on a scholarship in the fall of 1949. In November she writes, “A wonderful opportunity was offered me — to do some research work for a soc[iology] instructor named Philip Rieff.” In the next entry, Dec. 2: “I am engaged to Philip Rieff.” A few pages later, after a trip to California to interview Thomas Mann, comes the entry of Jan. 3, 1950: “I marry Philip with full consciousness + fear of my will toward self-destructiveness.” And then she is on to “War and Peace” and Balzac and lists of works on theology. Her decision to marry Rieff is never explained or examined, and in fact she says nothing more about the matter, barring an ambiguous recounted dream, until she begins fulminating against the institution of marriage in 1956. The intervening years barely exist in the journals — five years dissolve in nine pages. The birth of her son in 1952 goes unrecorded; he makes his first appearance in an aside."

Find it here.





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Flight of the Conchords' Murray Has 'Hurt Feelings'

A brilliant piece from the most recent Flight of the Conchords episode. After being mocked by the Australian consulate officers, Murray, the New Zealand consulate officer turned band manager, sings of his 'hurt feelings.'
I give this episode a thumbs up. Methinks episode six of season one entitled "Bowie" has now been demoted. The secondary characters come alive in this new episode as they take their individual oddities to new heights.


And here is Bret and Jemaine's rap version of "Hurt Feelings."






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