Friday, May 8, 2009

New Videocast: Of Entertainment, Michael Chabon, and Michel Foucault











In this new episode of Gendering the Media with Brikena Ribaj, I discuss the concept of entertainment as Michael Chabon treats it in his recent book Maps and Legends as well as Michel Foucault's treatment of heterotopias.
I mention reality TV, modernity, Wagner, Verdi, and, of course, Franz Ferdinand.

The main question I raise is: What is a heterotopia?

You can view this videocast here.

Incidentally, one of the sentences I quote from Chabon's latest book says the following about entertainment:

"Entertainment is junk and too much junk is bad for you. Bad for your heart, your arteries, your soul."





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graph per http://media.photobucket.com/image/the%20killers%20concert/zombie_elle/fff.jpg

Manny Takes Fertility Drugs?


Could somebody explain to me why Manny Ramirez is taking fertility drugs? Is this something that's in the vernacular that I, for some reason, missed? Men take fertility drugs? Hm.
Paint me confused!

How bizzaro is this?

A bit from today's Times says:

"“Unfortunately, the medication was banned under our drug policy,” Ramirez said in the statement, which was released by the players union. “Under the policy that mistake is now my responsibility. I have been advised not to say anything more for now. I do want to say one other thing: I’ve taken and passed about 15 drug tests over the past 5 seasons.”"

Read more here.






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The Killers: A Concert Report








Two nights ago I saw The Killers in concert in Cleveland. I will be discussing it in next week's videocast, as well.
My right ear is still not at full capacity thanks to our standing in close proximity to six giant loudspeakers.
One has to sacrifice for music, after all.

Frontman Brandon Flowers is the main reason behind the band's cache. And he has much of it. Flowers is always in sync with his music and his band members. Like an involved conductor, he makes sure all the instruments are attended to and, thanks to his quick movements, he managed to have eye contact with his band members as well.

Flowers does not stay put in one spot.
Those who are hyperactive by nature will especially get his modus operandi. When in his element, singing or playing the keyboard and guitar, he accompanies his vocals with constant movement. What's truly amazing about this performer is that regardless of the constant sprint-like moves on the stage, his voice quality doesn't suffer.

And then there was the stage. It looked like a spot of Vegas had been extracted from the Strip and had been planted in Cleveland. His initial getup was also oh-so-Vegas. It looked like a showgirl helped him with the extravagantly bejeweled jacket which he kept on for the first few songs. The rest of the time, the band's outfits fit comfortably with their sound and stage.

A few times Flowers looked a little perturbed at the mic as it evidently wasn't behaving the way it needed to. He left the stage for a few seconds to talk to the behind-the-scenes powers that be about said mic.
He re-entered the stage at the loud welcome of his eager fans.

I like The Killers not only because of their definite role with the post-punk revival. That, after all, is not a primary reason to like any act as, in my case, at least, it's not what informs my taste primarily. I like their music because since they entered the scene and my radar over 6 years ago, their work has fueled mine most exquisitely. And, at the risk of narcissistically quoting a previous audio piece of mine, after all, one needs to be a 'grateful receiver' of such musical favors.

The concert experience lasted about 1.5 hours and it felt like 1.5 seconds. I never have the urge to play with my iPhone or check my watch or even think about anything else of substance or inconsequence when in the presence of their music. And to me, that's something. Something novel.

The Killers do seem to have gotten to the point of comfort with their level of popularity. It might just be that they believe they are deserving of it. I most certainly think so and those who object to their music/performance style need to make a good case for themselves for this band has created the pattern, I think, of what it means to translate 80's SynthPop, Electronica, and Punk into the reality and consciousness of the twenty-first century.

In sum, you should try and watch them on their current tour promoting their last album, Day & Age. It will be nigh impossible for you to take your eyes off the stage.

Kudos, Killers, kudos.





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