Wednesday, September 10, 2008

Guy Ritchie: Back to Greatness


When asked about his new film Rockerolla, director Guy Ritchie said:
"..."Lock" and "Snatch," they are the movies I like doing. It's a balance. I want to make what I want to make and still have people come out. "Revolver," to a degree, was an indulgence. I fell in love with the idea, the concept of, "What if your mind is your greatest enemy?" There are only a finite amount of films like that that people going to accept from me."

....

And about the brilliant Robert Downy Jr, Ritchie observes:

"It's a clear illustration of the movie business world. Everyone was extremely happy when "Iron Man" worked, and then when "Tropic Thunder" worked. No one doubts his talent and his abilities. It's just that the wheels came off for a while. He has the best British accent I've ever heard. Even better than the British actors I've worked with."

I think what made Ritchie's Lock, Stock, and Two Smoking Barrels and Snatch so successful internationally was the director's unique kind of storytelling. Ritchie didn't just tell stories well, he told them in congruence with the immediate culture he was portraying while keeping humor intact.

And Turco as well as many other true Ritchie fans are rooting for the talented Brit. Here's to hoping that Ritchie manages to get back successfully to his true roots.

Read entire interview here.

graph per reuters
graph per imdb

Rhetoric and Literary Terms

Whether one is serious about rhetoric or not this is a most useful link. And it's hosted by Utah's own Brigham Young University. Thanks, cougars!

A few interesting lexemes to add to one's vocab:

"# accismus
A feigned refusal of that which is earnestly desired.
# anthypophora
One asks and then immediately answers one's own questions (or raises and then settles imaginary objections)
# anticategoria
A retort in which one turns the very accusation made by one's adversary back against him.
# diasyrmus
Rejecting an argument through ridiculous comparison.
# elenchus
A logical refutation.


pointer via MR

English Lexemes in Italian


Is this economy of language or a linguistic fad?

"Italians are quite used to feeling "lo stress", looking forward to "il weekend" or trying to look "cool".

But now an influential cultural institute has asked Italians to protect the language and reject "Anglitaliano".

The Dante Alighieri Society asked people for examples of over-used foreign words and "il weekend" emerged as the worst offender."

Read all here.
graph per bbc

Bravo, Artist, For the Most Part, at Least

While reading Carrie Bronstein's blog, I got to thinking about the premise of her most recent post. She writes:
"Last week, I briefly mentioned the particular brand of awkwardness that occurs after watching a friend's less-than-stellar performance, or seeing their sub-par art exhibit, when they ask you, "So, what did you think?" We're all guilty of the little white lie that follows, which usually boils down to a generic compliment. Some of us, and I'll count myself among this crowd, even overcompensate and blurt out, "I LOVED IT." To any of my friends reading this entry, rest assured that I have never done this to you. I am talking about some other friend."

Carrie also includes a video of hers chronicling her own experience.
Here it is:



I also feel very strongly about the importance of supporting the arts and those who produce them for us. Now, having said this, I can honestly say that I can only think of one instance in which I had to tell a friend that her particular form of art didn't quite do it for me. And this is quite impressive as most of my friends are contributing artists.

Now, here's the exception. Years ago a musician friend performed a sax piece I didn't fully enjoy. Incidentally, Carrie's post today made me think of the experience again. I remember enjoying the beginning and middle part of her rendering but the conclusion left something to be desired. At the end she asked us, me in particular, what we/I thought of her performance. I said, 'It was very good, overall. There was a moment, though, towards the end where you paused longer than I thought the piece asked for. Was that an interpretative move?'

The friend got a tad upset by the end of the conversation. And yet I didn't understand why. In my way, I had also paid a compliment to her, I thought, by speaking so highly, as I should have, of the first part of her performance. I did, indeed, enjoy most of her performance just not all of it. For example, I believe Dante's Divina Commedia is one of the biggest contributions to Western literature but, at the same time, I don't care much for the third part of the work, namely, Paradiso. Inferno, on the other hand, i.e., the first part of the work, is simply incomparably superior. My copy of L'Inferno looks raggedy from constant use, whereas Paradiso could sell very well were I to put it on eBay. Anyway, the point is made, I suppose.

To placate the performing friend, I made a big banner, on top of which I wrote Shakespeare's signature line from the comedy, Twelfth Night: "If music be the food of love, play on, give me excess of it."

My friend was very touched by the gesture. She loved it. We went on to attending many other performances (by other artists) after that and now reminisce about the old college days quite fondly. Now, I could have interpreted this experience two ways:

1) Note to self: Next time you go to see a friend perform, leave the critic 'hat' at home and pick up the friend 'cap' instead. Utter a simple "Good job. That was....good!" and then suggest that you all grab a latte.

2) Honesty is always best. You can always apologize using Shakespearean words later. Or not.

3)What think ye?

What do you tend to say to people you know when you see their respective arts and performances?

Quotation of the Day


"I'm anxious. The moment I buy an Apple product, I know a newer, better version is right around the corner. Slow down, Steve Jobs. I just ordered the Classic. Let me enjoy it for a while. Like a month or so."

Uttered by a loyal Apple user when Jobs announced the new iPod upgrade.


graph per ny times

Culture and Gender Difference


An interesting read.
"When men and women take personality tests, some of the old Mars-Venus stereotypes keep reappearing. On average, women are more cooperative, nurturing, cautious and emotionally responsive. Men tend to be more competitive, assertive, reckless and emotionally flat. Clear differences appear in early childhood and never disappear.
...

What’s not clear is the origin of these differences. Evolutionary psychologists contend that these are innate traits inherited from ancient hunters and gatherers. Another school of psychologists asserts that both sexes’ personalities have been shaped by traditional social roles, and that personality differences will shrink as women spend less time nurturing children and more time in jobs outside the home."

Read more here

graph per ny times